The Hand, Heart and Eye – Josie II

I finished Josie! The last few weeks I have had pneumonia so only worked a little at a time as I had energy. It all adds up! I am really happy with how she turned out for me. It is something to know that all the time and patience comes together. There are always things you think you could have done different, there is always that distance between the thing you say in your mind’s eye and the final result but in this case, the distance is not as great as it usually is.

When I did the original block in I did it on a different sheet of paper and then transferred the final block in to the pristine paper. I do this because I am forever heavy handed in my block-ins, erasing lots, grooving the paper a little too much. I am getting better with practice but it is a slow process developing that pencil control so I want to start my drawing with a fresh, light block in. I use a transfer method I learned at that Neoteric and that Sadie uses as well. I copy the drawing to tracing paper and then on the reverse side put a thin layer of graphite. Then I use a permanent fine point marker to lightly draw over my drawing transferring it smoothly onto the pristine paper. I love this method. You are never pushing a pencil into the paper when doing the transfer.

All that went really well on Josie. But – then I saw some changes, of course, that needed to be made to the block in and I got a little “groovy” on my drawing. That is the biggest bugaboo with the final Josie drawing. If you look closely in person you can see some of those grooves I made when adjusting the transferred block in. I didn’t really need to make those adjustments either, that’s the thing. I could have made the adjustments while drawing, and with a lighter hand.

Sometimes you can become so enamored of your own process and mark making. In doing so you put yourself smackdab in the middle of “thinking” and bugger things up. I do my best when I get out of my own way and just let my hand, heart and eye work. I am a far smarter artist when I am not thinking about the execution too much while executing. I think this is what I learned from Josie mostly…. Think first, think and look, then get out of your way and let instinct take over. Then stop and think again, look again and then fall back into the knowing.

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Josie II Graphite on Canson Paper

I am learning the same lesson when applying a print to a fabric in this little pastel study of a potato I am doing. I have never done print on fabric before, much less in pastel. I found the same process rang really true for this… get out of my way. The more I thought about the print the more forced the print became, the more fiddly the detail and the less fresh the result. I took a toothbrush and loosened the pastel up over most of the cloth and went in with a much lighter hand. I looked hard and then I put myself away and let my hand, heart and eye take over.

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WIP – Sweet Potato Pastel on Hand Prepared Paper

There is a time to think, and then there is a time to put thinking aside and just do what you know to the best of your ability and instinct. We have so much knowledge inside of us, we actually know how to do so much if we just get out of our own way. You take all this time to learn all you can and you practice all you can so that you can let go when it counts and let the rhythm and instinct guide you.

I think the rest of my art practice, for the rest of my life will primarily be this… learning to get out of my own way!

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2 thoughts on “The Hand, Heart and Eye – Josie II

  1. What a good idea, transferring the dirty block-in to a clean sheet. Sounds like you’re dealing with some interesting psychological aspects of art making.

    1. Hi Joel!. The transfer idea saves me much time. I feel like I should be able to do a pristine block in and then advance into the drawing from there but until that day, I still want to draw and move forward into the drawing… so for now this. You know me, I am always dealing with interesting psychological aspects of things!!

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